Zach Stetson’s review published on Letterboxd:
LOLLLOLOLOLOL the last 30 min of this movie are so bonkers. Like nothing I've seen in a long while. What fun. It's really a shame the screenplay feels it needs to spell everything out for the audience as if they were 2 year olds.
I still love how James Wan moves the camera in a way most run of the mill horror directors wouldn't. Theres some great filmmaking in here.
Also wtf is up with completely stealing the silvercup studios sign? I don't understand what that's doing in the film set in Seattle.