Occasionally published journalist, Sam Fuller head, film reviews to come
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Light Sleeper 1992
I'm intrigued by the temporal relationship between this film and the MTV era. The glossiness of the film's portrayal of New York City: the crystalline rain and the digressions into the film's soundtrack that are dialogueless and music video-esque. Is it harkening back to stories like Less than Zero and Bright Lights Big City or still deploying these signifiers with a pretense of modernity?
This line of questioning is complicated by the film being released in 1992 (a liminal period…
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Meg 2: The Trench 2023
Has the antiseptic direction of a mobile game ad, bereft of tension and consequence to the extent that the film resembles flop-era Fast and Furious more than it does Jaws, careens artlessly from frantic action scene to frantic action scene, with a whiplash-inducing pivot halfway through the film from aspiring Paul Greengrass procedural to nonstop shark gags.
A good time at the movies, even has a successor to LL Cool J's song for Deep Blue Sea
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Planet of the Vampires 1965
Movies as a whole, space horror or not, would benefit from cheaper sets and abundant colorful fog
The set design in this is truly staggering (even for Bava's standard) and the refusal to speed through its plot is cozy in a Star Trek: The Original Series way