Born near two film studios. Raised on film.
With all this talk of doom, I felt like seeing Paris again--1960s Paris of course. I got that, and more, for I did not expect to see a film that would be so relevant to our current times. Cleo is afraid. She thinks she could die. We all think we can die. The beauty, and genius, of this film is that her fears lead her down a path to a finer, more intimate look of life in its many shades.…