In Druk Thomas Vinterberg uses techniques from La Nouvelle Vague. From the Godardian dance sequences, typographic title sequences and inter-titles to jump cuts and fuses them with his own Dogme95-style. The result is interesting to say the least.

Druk can at times be a bit too on the nose. The film however makes up for it, with a substantial amount of introspective sequences. 

If Druk was a cocktail it would be strong with a bitter aftertaste.