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  • The Crazies

    The Crazies

    ★★★★

    A cast of wood shop teachers versus the post-Vietnam psychological apocalypse, with a fuzzy line separating viral madness from the regular variety. Looks and sounds distractingly cheap; as always, it’s a credit to Romero’s vision that it still manages to be this unsettling and funny. Harold Wayne Jones’s Clank might be my favorite performance in a Romero film, and the end credits song is unbearably good.

  • Warrior Queen

    Warrior Queen

    Chuck Vincent at least manages to inject some camp and slapstick into this no-budget garbage, which features an inebriated Donald Pleasance and a silently voguing Sybil Danning (doing her worst Theda Bara) alongside the sub-church-group production values and requisite oily pecs, clumsy fondling, and simulated grunting.

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  • Mars Attacks!

    Mars Attacks!

    ★★★½

    The Martians aren’t the bad guys. They destroyed the political class, the capitalists, the generals, and the media so that the Earth could be inherited by service and transit workers, blaxploitation icons, gamer teens, and Tom Jones.

  • To Catch a Thief

    To Catch a Thief

    ★★★

    Look, they can't all be Vertigo, Psycho, The Wrong Man, North By Northwest, Rear Window, I Confess, Strangers On A Train, The Birds, Frenzy, Rope, Notori...