This review may contain spoilers. I can handle the truth.
josh lewis’s review published on Letterboxd:
This review may contain spoilers.
a near-perfect merging of the ostentatious, expensive digital trickery wan's been experimenting with for the last decade at wb (all insane wide-angle lens oners and impossible dolly/crane maneuvers through small spaces) and the unfashionably trashy, high-concept, nu-metal shock genre sensibilities that were popular around the time he got into making movies. both have been fused here into a delightfully unruly mess that tricks you by pretending to be another polished haunted house trauma movie for a bit, then a serial murder mystery with the kind of surreal, gory, primary-color-lit sequencing you'd expect of italy; all before pulling the rug on both to reveal an... action movie version of the grindhouse, conjoined-creature splatter-horror of frank henenlotter? it's deeply stupid in retrospect, but it's the kind of stupid that's actually kind of an asset when the goal is to string together a series of horror setpieces as ambitiously literal and goofy and stylish as the ones here are. and i can't help but admire a filmmaker who can clock a billion dollars at the box office and follow it up with an attempt at their own version of a Basket Case/Brain Damage. was absolutely losing my shit when this movie's version of belial started doing bloody, unhinged wachowski ownage on the zoe bell prison gang and a bunch of cops.