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  • The Woman in the Window

    The Woman in the Window

    ★★

    the trashy wine mom de palma mode that the style constantly threatens but only ever delivers on during those completely ridiculous and violent last 10 minutes or so is not enough to make up for 90 minutes of Rear Window... but about Trauma.

  • Dangerously Close

    Dangerously Close

    ★★★

    talked about in full alongside Class of 1984 (1982) on the latest patron-exclusive, bonus episode of my genre/exploitation film podcast SLEAZOIDS, which you can access over on our patreon by clicking here.

    subscribing to our patreon gains you access to this episode, all previous bonus eps (83!! you can see all the films covered so far here) and all future bonus eps (2 more every single month!!). you can listen to all of our 87 free episodes over on soundcloud, itunes or spotify.

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  • Wonder Woman 1984

    Wonder Woman 1984

    when they said wonder woman 1984 i thought they meant like neon colors and synths but they meant all the horrifying, reagan era geopolitics and middle eastern stereotypes. doesn't help that it also looks like shit and has no sense of character or pace, it can't even successfully recreate the clean action or lead chemistry that the first film had let alone attach them to some sort of story, the whole thing just bizarrely lumbers to its 5 minutes of…

  • Uncut Gems

    Uncut Gems

    ★★★★

    This review may contain spoilers. I can handle the truth.

    ‪adam sandler sobbing “you can’t even get buried with me now” while looking at julia fox’s ass tattoo fucking destroys me.