Charlie Kaufman’s KILL BILL VOL. 3.
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Pink Flamingos 1972
Less a movie than a manifesto, this affront to American good taste is as much a product of its time as Fassbinder's WHY DOES HERR R. RUN AMOK? or Jodorowsky's THE HOLY MOUNTAIN, the proud afterbirth of 60s counter-cinema like Godard's LE CHINOISE and Warhol's THE NUDE RESTAURANT. There's shit-eating and puckering assholes, baby-selling, chicken-fucking, cop-killing, and cannibalism, but it's that rare film that is completely free of product placement — it's not trying to sell you a damned thing,…
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Fantômas: The Dead Man Who Killed 1913
In episode three, a deadly airborne pathogen is released at Abbott école primaire by Principal Ava Coleman. Only an alliance between Billy Butcher and Homelander can thwart her evil plans.
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Midnight Run 1988
Anyone who doesn't think that a casting director can make art, should watch this thing. Every single role, not matter how slight, is perfectly inhabited by exactly the right person. And sitting at the top of this mountain of ingenuity are Robert DeNiro and Charles Grodin, two of the greatest leads to have ever graced a buddy movie. Yes, every once in a while the comedy is a bit too broad, and Danny Elfman's score is ear-splitting overstatement, but Martin Brest's populist road picture remains a wealth of pleasures.
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X 2022
Mia Goth is a super-star. Like some cross between Shelley Duvall circa BREWSTER McCLOUD and GUMMO-era Chloë Sevigny.
Horror fans, X-mas came early. Especially for those of us who love the genre, despite the fact that 99% of what's made in its name is pretty disposable. By my count there have been less than a dozen true masterpieces this century -- HEREDITARY, INSIDE, GET OUT, and Ti West's own HOUSE OF THE DEVIL, among them -- and although this doesn't…