Bergman's Boho Beret’s review published on Letterboxd:
Empathetic and touching for the most part, but let down by a number of horribly misjudged dance sequences. The film-makers' camera really should have been distant, static, and dispassionate for these scenes. Instead, it was close, intimate, and dynamic. Consequently, the film made me feel almost complicit in its child sexualisation, rather than the sober witness that I'd prefer to have been. Ideally, the climactic dance contest wouldn't have shown any dancing at all, just the horrified reactions of the judges and audience.