Wonderful series; the results of trying to fit the first six episodes into a feature are a bit awkward at times, though many of the virtues are present or at least hinted at. Better just to watch the full series if you can, though.
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Occult Bolshevism 2018
Recently, there's been a trend in independent Japanese cinema towards a much more improvisation and actor-centered approach to filmmaking in the vein of Jacques Rivette or John Cassavettes. Probably the filmmaker most closely associated with this trend is Ryusuke Hamaguchi, a onetime student of Hiroshi Takahashi's who wrote his thesis on the films of John Cassavettes.
On the surface, at least, this would seem to be the antithesis of the stylistic tendencies previously associated with Hiroshi Takahashi and the J-horror…
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Welcome Home 1995
OKAERI is a film with something of a legendary status among aficionados of recent Japanese cinema. The film was self-funded by a projectionist and freelance film-critic-turned-filmmaker, and shot on leftover film stock from other independent productions. Its cast ranges from VERY seasoned veterans (Tomio Aoki, the former child-star of Ozu's I WAS BORN, BUT..., who appears as a talkative old man in a park) to recognizable character actors (Susumu Terajima, a frequent supporting cast member of Kitano and Miike films,…