Scott Renshaw

Film critic for Salt Lake City Weekly since 2000.

Favorite films

  • Singin' in the Rain
  • 2001: A Space Odyssey
  • Jaws
  • The Life and Death of Colonel Blimp

Recent activity

  • Sharper

  • Magic Mike's Last Dance

  • Somebody I Used to Know

  • Your Place or Mine

Recent reviews

  • A Thousand and One

    A Thousand and One


    It took an embarrassingly long time for the significance of the title of writer/director A.V. Rockwell’s feature to become clear, but once it did, it snapped into focus everything the story was trying to say about it’s particular time and place. It opens in mid-1990s New York, where ex-convict Inez (Teyana Taylor) emerges from prison determined to be reunited with her 6-year-old son Terry (Aaron Kingsley Adetola), who has been remanded to foster care. When she abducts him away from…

  • Passages



    In hindsight, there’s something pitch-perfect about the fact that the movie Tomas (Franz Rogowski), the filmmaker anti-hero of co-writer/director Ira Sachs’ feature, is making at the outset is titled Passages, produced (like this movie) by SBS Productions; if nothing else, it’s a portrait of a kind of solipsism whereby you just assume everything must be all about your needs. The premise finds Thomas beginning an affair with a woman named Agathe (Adèle Exarchopoulos)—one that he has no problem immediately telling…

Popular reviews

  • Knock at the Cabin

    Knock at the Cabin


    This review may contain spoilers. I can handle the truth.

    The following is my spoiler-free capsule coverage for City Weekly:

    There are occasions when it’s a curse to know the changes a movie has made from its source material—and hoo boy, is that ever the case with this adaptation of Paul Tremblay’s novel The Cabin at the End of the World from co-writer/director M. Night Shyamalan. His set-up remains the same: At an isolated cabin, gay couple Eric (Jonathan Groff) and Andrew (Ben Aldridge) are enjoying a vacation with their…

  • The Lion King

    The Lion King


    What if this Lion King had come first? It’s an interesting thought experiment, sort of a second-cousin to the idea that drives the current theatrical feature Yesterday: What if we woke up in a world where Disney had never released a hand-drawn animated film called The Lion King in 1994, and this story were appearing now for the first time, in the age of photorealistic CGI recreations of real-world animals? If there’s anything wrong with it—and by extension, with Disney’s…