For the first time I've felt like Nolan has trusted his audience, in cinemas true meaning of show don't tell, he's usually too afraid to let go. To let go and trust his own art, lacking in exposition dumps (sure this movie has some, but not overburdening) but it didn't click until the scene of the thumping shoes post blast sequence that we'd been using suffocating visuals to convey emotion (!) as well as Nolan's most horrifying haunting visual work…
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John Wick: Chapter 2 2017
Buster Keaton is the first image on screen in John Wick 2; a fitting individual thats representing the enigmatic body violence and motion of John Wick and this world. Set against ancient architecture of Rome history comes back to bite the future, our past always haunts us, follows us until its caught up and we have to face it head on. Just like looking at yourself in the mirror, or a wall of moving neon mirrors in this case. It's…
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Hellraiser III: Hell on Earth 1992
Dumb shit. I really don’t mind watching weird monsters spawn from hell itself and carve up an entire club.
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Star Trek III: The Search for Spock 1984
Enjoyed all the team “getting back together” in the search of finding their friend, no where near as emotionally moving as the previous but acts more as a hangout of friends in space really.
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Silence 2016
Everyone has their own interpretations of faith, a teaching may be lead to show how things are or want to be, but that doesn't mean the end result is the same as yours. Does everyone have to follow the same god to be true to themselves and the world, is different not good enough in the teachers eyes. Conflict is being created on our differences. The pain and suffering for this change is unanswered. It's Silence.
