[Originally posted on Modern Korean Cinema]
Korean horror isn't what it used to be. But it was never any one thing to begin with.
For many years it was unfairly seen as the poor cousin of J-horror in neighbouring Japan, but K-horror, as it has come to be known, has roots stretching back 60 years. Influenced by local folklore and urban legends and shaped by a society that teeters along sharp divides between tradition and modernity, and shamanism and christianity, it has continually evolved during that time.
Filmmakers like Lee Man-hee and Lee Yong-min were jolting audiences all the way back in the early 1960s and local folklore gave us the templates for the Korean horror films of the late…
[Originally posted on Modern Korean Cinema]
Korean horror isn't what it used to be. But it was never any one thing to begin with.
For many years it was unfairly seen as the poor cousin of J-horror in neighbouring Japan, but K-horror, as it has come to be known, has roots stretching back 60 years. Influenced by local folklore and urban legends and shaped by a society that teeters along sharp divides between tradition and modernity, and shamanism and christianity, it has continually evolved during that time.
Filmmakers like Lee Man-hee and Lee Yong-min were jolting audiences all the way back in the early 1960s and local folklore gave us the templates for the Korean horror films of the late 20th and early 21st centuries, whether through mythical creatures like the Gumiho (aka 'Nine-Tailed Fox') or folk tales like 'A Tale of Two Sisters'.
Yet rather than blood and guts or the pulse-raising editing and sound design of modern horror films, the heart of Korean horror has alway been psychological. What makes Korean horror work so well when done right is the emotional foundation that anchors the genre's shock tactics.
We do love a good list here on MKC (apologies for being away for a while) and while I've finally taken the plunge, the task was a daunting one. Not just because of how much is out there, but because, compared to other genres, tastes seem to vary the most within horror, so I expect (and welcome) quite a bit of disagreement.
Beyond that, it's not always easy to identify what deserves the horror film label, but to keep things interesting I've opted for a broader definition of the genre and put together a longish list (though I would confidently recommend all these films), and offered a list of honourable mentions that I could't bear to leave out completely.
I've seen a limited amount of classic Korean horror films (though several are featured here), but I believe I've watched the vast majority of K-horror titles released in the last 25 years. So, if you think something is missing, truth is I probably didn't like it as much as you did, but please voice your dissent below!
P.S. The top 6 are essentially a tie. One any given day I'd be likely to rank them a little differently.
HONOURABLE MENTIONS
The Cat (고양이: 죽음을 보는 두 개의 눈, 2011)
Death Bell (고死: 피의 중간고사, 2008)
Chaw (차우, 2009)
A Devilish Murder (살인마, 1965)
The Fox Family (구미호 가족, 2006)
Ghost House (귀신이 산다, 2004)
Horror Stories (무서운 이야기, 2012)
Invasion of Alien Bikini (에일리언 비키니, 2011)
The Isle (섬, 2000)
Killer Toon (더 웹툰: 예고살인, 2013)
Let Me Out (렛 미 아웃, 2012)
Midnight (미드나이트, 2021)
Midnight Ballad for Ghost Theater (삼거리 극장, 2006)
The Mimic (장산범, 2017)
The Mist Cries Like a Woman (안개는 女子처럼 속삭인다, 1983)
A Monstrous Corpse (괴시, 1981)
The Odd Family: Zombie on Sale (기묘한 가족, 2019)
The Priests (검은 사제들, 2015)
R-Point (알 포인트, 2004)
Scary House (무서운 집, 2015)
Seoul Station (서울역, 2016)
Svaha: The Sixth Finger (사바하, 2019)
White: Melody of the Curse (화이트: 저주의 멜로디, 2011)
The Wicked (마녀, 2014)
Zombie Crush in Heyri (좀비크러쉬: 헤이리, 2020)