Everybody comes to Hollywood
They wanna make it in the neighborhood
They like the smell of it in Hollywood
How could it hurt you when it looks so good?
more pegging in cinema, please.
Ma plus grosse claque de cinéma Québecois depuis Mommy.
Quand je dis que ça vaut la peine de voir ce film avec une nouvelle personne/foule plusieurs fois juste pour la réaction aux 20 dernières minutes, je blague pas. J’ai jamais vu une seule séquence lancer autant de débat, de chaos et de confusion. Ça c’est du grand cinéma.
À chaque visionnement, je me laisse éprendre par la magie et la cruauté de Genèse. Les clôtures et murs qui entourent l’univers…
Anyone with a good relationship with their dad claiming they understand this is lying to you.
Far from being a film I would call a favourite (still not sure if I even like it) but for sure the most cinema I’ve seen in a 2021 film.
Five stars for every second Baby Annette was on screen, the rest is just beautiful gowns to me. Simultaneously a 2, 4 and 5 star movie; hence the lack of a rating again.
I know the end, as much as everyone else. I remember every scene, every line in English that I can still hear in their French-Canadian dubbing inside my head. And despite all that I still have to hold in tears during the entire third act which seems to get scarier every time I watch it.
The day has come, I finally sort of connected to a Bruno Dumont movie without having to convince myself that it doesn’t suck!
Very dense, as easy as the satire can get it has an impenetrable quality to it. Layers upon layers to unpack in a thousand different possible interpretations.
Léa Seydoux’s most accomplished performance since Blue Is The Warmest Colour.