[London Film Fest 2020 #13]
I was expecting the social critique of Danish drinking culture, literalised through a more personable story in the form of the central quartet, and by extension, how their actions have an effect on their social circles, employment and family.
I wasn’t expecting that final scene, which Vinterberg and Mikkelsen carry off with a level of grace not seen since Denis let Lavant get lost in the rhythm of the night.
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