Former Programming Director for the Austin Film Society.
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Adieu Philippine 1962
The tightly controlled kinetic realism that Rozier employed a decade later in Du côté d'Orouët is nowhere to be found here. I wish I could have watched this when I was 19 and tearing through all the early Nouvelle Vague features.
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It Should Happen to You 1954
Judy Holiday + on-location shooting of 1950s NYC = solid gold. The first movie I know of about the phenomenon of “famous for being famous.”
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Land Without Bread 1933
Bunuel didn't have three cameras to shoot that goat falling off the cliff- he had three goats.