As the title suggests, a list cataloging the overlap between Dan Sallitt's color-coded lists and Mike D'Angelo's 100-point scale, year-by-year ones. The list includes any films with the red-orange designation and a rating greater than 80. When I could extrapolate a rating (i.e. a film placed above one with an 80+ rating is assumed to also be in that range) I included it, but when in doubt, I decided not to. So you won't find stuff like The House of Mirth or His Girl Friday which are orange and red respectively, but have not yet been rated on the 100-point scale. [EDIT, 2021 August: Added His Girl Friday and House of Mirth because they've now been rated.]
It's a frivolous…
As the title suggests, a list cataloging the overlap between Dan Sallitt's color-coded lists and Mike D'Angelo's 100-point scale, year-by-year ones. The list includes any films with the red-orange designation and a rating greater than 80. When I could extrapolate a rating (i.e. a film placed above one with an 80+ rating is assumed to also be in that range) I included it, but when in doubt, I decided not to. So you won't find stuff like The House of Mirth or His Girl Friday which are orange and red respectively, but have not yet been rated on the 100-point scale. [EDIT, 2021 August: Added His Girl Friday and House of Mirth because they've now been rated.]
It's a frivolous list, to be sure, but it was a fun exercise in seeing how their very distinct tastes overlapped, especially since I often consult their respective lists when deciding on what to watch. This was initially supposed to be a red/>90 overlap, but that resulted in only six films (Seven Chances, Only Angels Have Wings, Daisy Kenyon, Badlands, The Aviator's Wife, Miami Blues, and Naked). The overlap on Miami Blues, which I would never have expected, was what prompted this list.
In (mostly) chronological order
