4.3? Really? Nothing surprises me anymore with the absolute state of the Letterboxd Top 250 compared to IMDb's own cringeworthy but less ideologically captured aggregation, but I think the resounding praise for this on here speaks to how green the average A24 devotee is when it comes to cinema. This felt like a movie that would be inducted to the Criterion Collection after the summer of 2020.
Anyway, to make some actual criticisms, there's an overreliance on licensed pop songs…