Kai Perrignon’s review published on Letterboxd:
Wasn't on board with this for the first half, and then I realised that I just hated Michael Nyman's score, which I found grating and overbearing.
When I turned the sound off, I was able to really enjoy Man with a Movie Camera and begin to understand what it was saying, its celebration of life and the energy that comes with it.
Consider this is a preliminary rating, likely to change once I re-watch the whole thing silently.