There’s nothing more pleasing than Allen, Keaton, Alda and Huston very loudly trying to solve a mystery together at dinner, with the rest of the restaurant watching them in puzzlement. Nobody ever stops talking in this movie, which I quite loved.

Also, while this film couldn’t be more different tonally than Husbands and Wives, Allen and Carlo Di Palma continue their early 1990s experimentation with jittery, handheld camerawork, which actually works really well with the madcap nature of this whole thing.