IndieWire’s review published on Letterboxd:
Review by Kate Erbland
The year 2020 should have kicked off a banner one for young actress Jessica Barden: At the SXSW Film Festival, she was set to surface in Nicole Riegel’s affecting blue collar drama “Holler” and the very different, though similarly well-made “Pink Skies Ahead.” Both movies feature Barden in leading roles that show off her big-time rage. The physical festival was canceled due to the pandemic, and both films were eventually pushed to 2021. Now, audiences can finally appreciate that Barden is doing excellent work and exhibiting a rare depth for her age.