“One hundred years ago on the 21st of April, out in the waters around Spivey Point, a small clipper ship drew toward land...”
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Lucifer Rising 1972
175/200
More than a representation of his talent for composition and rhythm, the movies of Kenneth Anger are like transcriptions of the inside of his soul. So few filmmakers manage to communicate how they feel, how they see the world, what they see when everyone else sees what's right in front of them. Anger's vision was like putting on the They Live glasses, seeing a sensual dimension beneath the ordinary, a Ballardian netherworld of screaming chrome and hellbent innocents. No one did what he did. Now everyone does it. But no one has his conviction. No one has his soul.
www.rogerebert.com/tributes/the-fire-is-gone-kenneth-anger-1927-2023
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Moonage Daydream 2022
97/200
Someday someone will make a movie about David Bowie that doesn’t obfuscate his actual achievements and rely on very literal language of myth but uhh today’s not that day. Stupefyingly unimaginative, this uses footage from movies starring Bowie (footage with one set of specific intentions) and footage of movies Bowie probably watched (with a completely different set of intentions at best tangentially related to what Bowie got out of them, at worst horrifically literal interpretations of what Bowie used…