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Three Billboards Outside Ebbing, Missouri 2017
Okay. I’m using this review as my opportunity to talk a little about the films of Martin McDonagh, which I watched this week after seeing “The Banshees of Inisherin” last month.
I liked “Banshees.” It was quiet, contemplative, a little mean at times, and quite beautiful. I thought Colin Farrell and Brendan Gleeson were marvelous, although the standout performances, in my view, were from Kerry Condon and Barry Keoghan. I thought the film worked both as a self-contained drama and…
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The Limey 1999
A film with editing that, like Soderbergh's previous (that I still somehow need to see,) truly is out of sight. Add in a groovy soundtrack of 60s tunes man, as well as a breezy, slick throwback aesthetic to filmmaking of that period (although, there aren't any split screens, though,) and surrounded by vets from the period, and, you've pretty much made a flick for me Steven. Only filmmaker today I could see dabbling in such fare now could be Edgar Wright. Feel Last Night in Soho kinda, sorta does.
Besides the director's previous effort, I also really need to seek out Point Blank too.
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Clear History 2013
Happy birthday, Paul Scheer. I'd have dinner with you at a restaurant if we were friends. May even be doing such a thing with some of my actual buddies for my own special day in a few weeks.
Also, in the dozens of times I've logged this, how has it taken me this long to realize that I kinda relate to Larry's crazy scheme to blow up a house being constructed? What, with all the endless construction I've had to…
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Dreamcatcher 2003
Oh hey special features; let's hear what Stephen King has to say about this movie:
"It's gonna do for the toilet what PSYCHO did for the shower."
Uhhhhh, sure pal. If you say so.
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Lyle, Lyle, Crocodile 2022
Javier Bardem commits to this as if it is obviously the role of any actor’s lifetime.
(Watched on a plane.)
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Star Wars: Episode III - Revenge of the Sith 2005
I do prefer the originals to the prequels by a little bit, but honestly there's just nothing like that feeling after I finish a 10 hour prequel marathon (with The Siege of Mandalore and some other Clone Wars added in of course).
This story is an emotional gut punch, but it still manages to leave you with hope. I also think it has far more to say than people give it credit for: it's truly a genius story in my opinion.
This is one of my favourite movies of all time, and might be the one I watch the most.
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American Psycho 2000
If ya gonna revisit his most recent baddie of Gorr the God Butcher on his birthday, then why not continue down that road with what is still the best performance I've ever seen him give? This, Love & Thunder and Shaft are proof that Christian should dabble in being crazy, scary evil more. Patrick Bateman is his Alex from A Clockwork Orange. Dare I say, I prefer him to Malcolm McDowell, even if I dig Kubrick's flick just a little bit…
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Thor: Love and Thunder 2022
Was fully intending on giving it some more love anyway as I recently bought it. Although this viewing made me fall for it less, however (damn you, Jane.) Purely a coincidence that the revisit just so happened to fall on the scene-chewing (though kinda underused) villain's birthday.
However, following it up immediately with American Psycho? Yeah, of course, that was deliberate.
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Captain America: The Winter Soldier 2014
Thanks, Three Days of the Condor for bringing me back. Enough to also finally add it to my Blu-Ray collection as well. Sure the inspiration's loose and basic, but it's there enough to notice and appreciate. Especially if you view them closely. Makes Redford being the baddie an even nicer touch in a "you either die a hero, or you live long enough to see yourself become the villain" kinda way that Harvey Dent once prophesied.
Also, LOL at Garry…
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Three Days of the Condor 1975
Recently purchased it on Blu after enjoying it this past New Year's.
Put it on (but more as background noise) as a primer for another it inspired, and that I happened to buy alongside; Cap America: The Winter Soldier.
Having now seen both, I get even more what you were trying to do Russo's. And I like it. Don't know why it took me so long to finally see the inspiration though. But then again, I often make no sense.
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The Day of the Locust 1975
Babylon finally got me to watch something I initially only really knew for these two things going in; Donald Sutherland plays someone named Homer Simpson, and he commits an egregious act near the end. But, I mean as detestable as it was, they were kinda asking for it too. Certainly not to that degree, but they deserved something.
Wasn't quite worth the purchase, in spite of the very interesting subject matter. But I've had worse blind buys. Sutherland was great. Burgess Meredith is always welcome. Lovely to look at, thanks to Conrad L. Hall. He definitely earned his Oscar nod. That's for sure.
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