Keith Goulette’s review published on Letterboxd:
Just basking in the glow of the first recent Best Picture win that I believe truly deserves it.
I used to think the Academy was bullshit, and they still kind of are (no American Honey nominations? For shame.) But this win is pretty groundbreaking and suggests a future of less fuckery.
Side note: I completely fall in love with André Holland (and film itself) every time I see this. It's unavoidable.