Favorite films

  • Only Angels Have Wings
  • Manhattan
  • Double Indemnity
  • Exotica

Recent activity

All
  • The Twentieth Century

    ★★½

  • The Godfather: Part III

    ★★★

  • Unbreakable

    ★★

  • Elena and Her Men

    ★★½

Recent reviews

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  • The Twentieth Century

    The Twentieth Century

    ★★½

    47/100

    Answers the question "What if Guy Maddin but not very funny?"...and since that's a question previously answered by several actual Guy Maddin films, I don't see the point of making this one.

    (Rest of the review, along with everything else I write, available via ultra-cheap subscription. Seriously, it’s as little as $1 a month and for now that pays my rent.)

  • The Godfather: Part III

    The Godfather: Part III

    ★★★

    51/100

    Second viewing, last seen during its original theatrical release. This time I watched the recent "Coda" version—aptly retitled, as Part III plays like one of those slightly crippling crime-must-very-explicitly-pay endings that got tacked onto Hollywood movies during the Hays Code era, only expanded from around three minutes to more than 2½ hours.

    (Rest of the review, along with everything else I write, available via ultra-cheap subscription. Seriously, it’s as little as $1 a month and for now that pays my rent.)

Popular reviews

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  • Moonlight

    Moonlight

    ★★½

    This review may contain spoilers. I can handle the truth.

    49/100

    Okay, here we go: Why I think the year's most universally acclaimed film is sorta kinda not really very good. Took a second look to be sure, both because I'm always open to the possibility that I'm wrong and because I served on a festival jury with Jenkins a couple of years ago and liked him enormously, so take no pleasure in being a contrarian here. Had exactly the same reaction, alas. In descending order of importance:

    • I'm generally…

  • Sicario

    Sicario

    ★★★★½

    This review may contain spoilers. I can handle the truth.

    83/100

    Second viewing, no change. Having now professionally reviewed this film four times (for The Dissolve from Cannes, and then for the A.V. Club, the Nashville Scene, and the Las Vegas Weekly), I thought I had nothing left to say, especially since I made a point of addressing the most common criticisms. But since a bunch of folks are praising Adam Nayman's takedown for Reverse Shot, let me quickly address a few of his points.

    “I have to know,” Kate…