Black is the color of proletariats.
There are multiple cool fight scenes of Rajini in this but none more intense and interesting than his face off scenes with Nana Patekar. The police station and the scene at Nana's home where they lock horns burns the screen down with the palpable tension and the phenomenal performances of both the titans. Rajini is in his probably best acted role of this century but Nana Patekar takes a stereotypical villainous character and makes…
87/100
The worst feeling in one's life is to realise that what you love the most doesn't love you back.
Chaitnya Tamhane's sophomore feature follows the lifelong quest of Sharad Nerulkar who's seeking admiration and enlightenment in an arcane art form.
What separates Sharad from any other 'up and coming artist' protagonists is that he's the side hero of his own film, he doesn't control his narrative instead he's controlled by them.
He's not talented enough as he'd like to,…
An extremely important and timely story told by a wrong set of people in an immensely outdated fashion.
Jai Bhim defeats the very purpose it set out to advocate. By establishing the tribals as a bunch of well meaning people who doesn't have any kind of agency, makers instead of building the story around their oppression stereotypes them as powerless meeks in desperate need of a savior. Who should have been the main players are reduced to just plot devices…
