Synopsis
Power. Grace. Wisdom. Wonder.
An Amazon princess comes to the world of Man in the grips of the First World War to confront the forces of evil and bring an end to human conflict.
2017 Directed by Patty Jenkins
An Amazon princess comes to the world of Man in the grips of the First World War to confront the forces of evil and bring an end to human conflict.
Gal Gadot Chris Pine Robin Wright Connie Nielsen David Thewlis Danny Huston Elena Anaya Ewen Bremner Lucy Davis Lisa Loven Kongsli Saïd Taghmaoui Eugene Brave Rock Lilly Aspell Ann Wolfe Ann Ogbomo Emily Carey James Cosmo Wolf Kahler Alexander Mercury Martin Bishop Flora Nicholson Pat Abernethy Freddy Elletson Sammy Hayman Michael Tantrum Philippe Spall Edward Wolstenholme Ian Hughes Marko Leht Show All…
Charles Roven Damian Anderson Zack Snyder Richard Suckle Jon Berg Wesley Coller Deborah Snyder Geoff Johns Stephen Jones Carmen Pepelea Steven Mnuchin Rebecca Steel Roven
Phil Harvey Stuart Kearns Steve Carter Dominic Masters Simon Elsley James Collins Remo Tozzi Domenico Sica Patrick Harris Kevin Timon Hill Irene Orru
Frazer Churchill Ken Dailey Lena Scanlan Viktor Müller Keith Miller Mihaela Orzea Bill Westenhofer Amber Kirsch Jessica Norman Laurence Berkani Alex Wuttke Nicholas Symons Ben Wiggs Loeng Wong-Savun Omar Morsy Michael Langford Jonathan Opgenhaffen Guy Botham Edward Churchward Praveen Kilaru Mohak Sharma Matthew Pellar Elzbieta Trosinska Zachary Vesely Adam Janeczek Chris Upson
La mujer maravilla, Mulher Maravilha, Диво-Жiнка, วันเดอร์วูแมน, La Mujer Maravilla, 원더우먼, Wonder Woman 1, Mulher-Maravilha 2017, Femeia fantastică
Epic heroes War and historical adventure Epic history and literature war, wwii, combat, military or duty martial arts, kung fu, choreography, cool or action-packed swords, adventure, fantasy, battle or fighting action, villain, superhero, hero or action-packed historical, epic, battle, historic or fought Show All…
THE GOOD:
- Gal Gadot
- the purity and dedication of the gender role reversals (and everything that goes along with that). this, needless to say, is the most thrilling and important factor here.
- Gal Gadot
- the lasso
- Gal Gadot
- WWI setting, which excuses a lot of the inexplicably appalling special effects, in its own saturday morning serial kinda way
- Gal Gadot
- Lucy Davis
- Gal Gadot
- all the bits in London
- Gal Gadot
- the actors who play the villains
- Gal Gadot
- this bullet-point format that allows me to get this over and done with while re-watching FUNNY PEOPLE for work.
THE BAD:
- the cringe-worthy framing device
-…
homophobia is this movie luring me in with 20 minutes of lesbian island and then forcing me to spend two hours with a dude named steve trevor
96/100
Only love can truly save the world.
Remember when some trickster claiming to be a former worker from Warner Bros. wrote an open letter saying that Wonder Woman was just another mess of a DC movie, et cetera? I remember how Patty Jenkins responded to that. She tweeted: "Just wait and you'll see".
Honestly, I don't know how anyone could even consider that there was the slightest chance of this movie not being good, and I'm gonna tell you why: this is the very first big female-led superhero movie, in which the title character also happens to be the greatest female superhero in history. If you really think that Patty Jenkins, also the first woman to ever direct a…
We oppose imperialism. As the most destructive action in the world, as the source of more war, death, and exploitation than anything this world has known since chattel slavery was born, imperialism is the highest, most vile, most horrifying aspect of capitalism, and we oppose it. We oppose the countries that engage in it. We oppose the armies that effect it. We oppose the racism that enables it. We oppose the economic outlook that devised it. And we oppose the lies that support it.
And we oppose those who spread those lies.
It's hard to watch this movie, as it is hard to watch a film about abuse where the lead actor is a known abuser, as it is hard…
Is it good?
Mmm... It's a tale of two halves, really. The first half is pretty good (and pretty MCU-ish), but the second half is pretty bad (and—and I know this is gonna sound like I'm a hater—pretty DCEU).
Okay... But is it good?
Promising?... But overall, unfortunately, no. It's almost there. They almost nailed it, but not quite.
But... but everybody who has seen it so far has said it's good?
I could see why people would like it. On the surface, it's mostly diverting and generally badass. I mean, how cool is it to finally see Wonder Woman star in her very own film? It's really cool (there's no denying that), and Wonder…
Has all the infectious wit and charm and momentum of the first IRON MAN, a similarly perfectly cast lead brimming with charisma, and also the terrible third act.
me at the airport: hey can i get a ticket to themyscria
attendant: i'm sorry ma'am i don't know what that is
me: just please take me to themyscira
attendant: i'm gonna have to ask you to leave ma'am
me: I JUST WANNA BE IN THEMYSCIRA
Anyone who knows me even a little bit knows that I love Wonder Woman. She has always been an icon to me. It was actually the animated Justice League cartoon and Susan Eisenberg (who voiced her in the show) that got me to love her. The way she cares so much for humanity and sees that there is good despite the bad, it was so valuable to me as a little girl.
So, I never understood, as a child, why she never had her own film. I saw little boys pretending to be Batman, Superman, and Spider-Man and they all had movies they could watch over and over and over again. It was kind of frustrating because Diana is just…
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The unneeded lowdown from a straight-white-guy: (I, obviously, am not an expert. Only commenting on what I see and grouping ideas together after the conversations I have post-showing. If you feel I'm off-base, under-educated, ignorant, or misunderstanding certain concepts. Shoot me a message.)
As a DCEU installment, Wonder Woman is admirably solid, not rising to the loopy, confounding poetics of Batman v Superman nor falling to the grim, un-textured depths of Man of Steel or that abomination of a supposed 'David Ayer' movie, Suicide Squad. Patty Jenkins knows not only how to shoot action, but how to capture a specific, female-driven energy within the set-pieces. The now famous 'no man's land' sequence primarily soars via Jenkins' understanding of Gadot's…
My mother when the Amazons are training: "Look at that"!
My mother when Robin Wright is kicking ass: "She's so beautiful, look at her body!"
My mother when Hippolyta joins the beach fight: "OOOH LOOK IT'S HER MOTHER!"
My mother when Diana deflects bullets: "Come at her, she's not kidding!"
My mother when Diana jumps and lassos Ludendorff: "Wooooow"
My mother after the movie: "I want a Wonder Woman t-shirt!"
Movies are alchemy. I’ve said this before, and I’m sure I’ll say it many more times before I’m gone, but it’s the truth of the cinema: a magical, hard to harness process can turn a strip of film into something far more precious and meaningful.
Watch WONDER WOMAN with distant, unengaged eyes and you might see the seams, the places where reshoots came in or where the story is papered over in order to keep moving along to the next scene, where actors are standing in front of green screen or their faces have been plastered on a stunt double. But that’s the lead, and in the hands of Patty Jenkins it’s all turned into gold. What’s her secret? I…