Synopsis
The past never stays in focus.
A shy but ambitious film student falls into an intense, emotionally fraught relationship with a charismatic but untrustworthy older man.
2019 Directed by Joanna Hogg
A shy but ambitious film student falls into an intense, emotionally fraught relationship with a charismatic but untrustworthy older man.
Honor Swinton Byrne Tom Burke Tilda Swinton Richard Ayoade Ariane Labed Jaygann Ayeh Jack McMullen Chyna Terrelonge Vaughan Tosin Cole Hannah Ashby Ward Frankie Wilson James Spencer Ashworth Janet Etuk Alice McMillan Jake Phillips Head Barbara Peirson Lydia Fox James Dodds El Pilkington Neil Young Dick Fontaine Steve Gough Crispin Buxton Grace Snell Siobhan Harper Ryan Leighton Spence Lee Martin Nicholas Gallop Leonardo Bozzo Show All…
Martin Scorsese Andrew Starke Emma Tillinger Koskoff Lizzie Francke Joanna Hogg Rose Garnett Luke Schiller Dave Bishop
纪念品:第一部分, soghati, 수베니어: 파트 I, The Souvenir - Partie 1, The Souvenir - Part I
Moving relationship stories Humanity and the world around us Underdogs and coming of age biography, artists, musician, emotional or songs school, teacher, student, classroom or classmates marriage, emotion, romance, feelings or relationships emotion, emotional, moving, feelings or sadness sex, sexuality, relationships, erotic or feelings Show All…
i totally get the criticisms for this, since the whole movie basically hinges on whether or not you believe in the incredulous love that julie has for anthony, but also ... and i wish i had a more articulate way to say this .... sometimes it’s just ... like that? sometimes it’s just like that. irrational to everyone but you.
joanna hogg based this off of an actual experience that she had at film school, and with this semi-fictionalization she’s choosing to retake her own narrative. she knows this relationship doesn’t logically make sense, so it’s her version of her truth. i think it’s bold as hell to do that, knowing that some members of the audience are going to see your very…
I knew the second I saw the poor Rotten Tomatoes audience rating of 33 that I was going to enjoy this film. It simply means that the film isn't mainstream audience friendly. I read a few of the reviews which were basically complaints of the film's pace and lack of conventional plot. So I was excited.
Not sure if it'll be in my 2019 top ten but as of now it is. Enjoyed the journey and for those pre-digital film school grads... there is some nice film school detail in here. Honor Swinton Byrne is quite good and carries the film.
Thank you Cineplex Odeon for putting films like this in multiplexes. There was a healthy audience (for this sort of film) at the Monday night show which shows that there are audiences (at least in Canada) for more challenging films.
Watched at Cineplex Odeon Intl. Village Vancouver
There isn’t much of a story in Joanna Hogg’s heartfelt and searingly honest “The Souvenir” — the British filmmaker, somehow a breakthrough talent for the last 30 years, has always been less interested in plot than condition — and so this romantic drama about a young woman’s doomed first love might just as well be summarized by a poem from the late Mary Oliver:
“Someone I loved once gave me
a box full of darkness.
It took me years to understand
that this, too, was a gift.”
Set in the early 1980s, shot with the gauzy harshness of “Phantom Thread,” and named after an 18th century rococo painting by Jean-Honoré Fragonard, “The Souvenir” finds Hogg reaching into her own past…
a stunning but slow-burning entry in the annals of "i get it, and can sort of relate, but for the love of god please dump him" cinema
Sadly a massive chore to sit through. This may be a very personal film, but it’s personal to a fault. It’s overly internalized and obfuscated, presented in the most drab of ways and lacking any justification for its disjointed, distancing nature. The two leads are great, but there needs to be considerably more behind the characters and relationship - otherwise it’s just watching an unpleasant, toxic relationship be unpleasant and toxic. There’s absolutely nothing here distinguishing this from the rest of those *artsy films about art* with terrible men at their center. Enough already.
GRADE: C-
Not sure I’ve ever wanted a character to break up with their boyfriend this much before
vividly renders the bizarre comfort of even the incredibly painful memories of people you miss.
I will admit to being extremely sleep-dapped and a little dozy during my Sundance screening of this low-key drama, so maybe I missed the scene where the protagonist, a shy but lovely young wannabe-filmmaker, explains why she's so willing to upend her life to maintain a romance with a condescending, mooching drug addict who steals from her, lies to her, is not particularly charming or good-looking, and disappears from her life seemingly whenever he has something better going on. I spent most of the movie thinking "Girl, why?" Which I don't think is what the director was going for exactly.