1990 Directed by Francis Ford Coppola
In the midst of trying to legitimize his business dealings in 1979 New York and Italy, aging mafia don, Michael Corleone seeks forgiveness for his sins while taking a young protege under his wing.
Al Pacino Diane Keaton Talia Shire Andy García Eli Wallach Joe Mantegna George Hamilton Bridget Fonda Sofia Coppola Raf Vallone Franc D'Ambrosio Donal Donnelly Richard Bright Helmut Berger Don Novello John Savage Franco Citti Mario Donatone Vittorio Duse Enzo Robutti Michele Russo Al Martino Robert Cicchini Rogerio Miranda Carlos Miranda Vito Antuofermo Robert Vento Willie Brown Jeannie Linero Show All…
Francis Ford Coppola Gray Frederickson Fred Roos Fred Fuchs Nicholas Gage Charles Mulvehill Alessandro von Norman
Walter Murch Richard Beggs Andy Aaron Gloria S. Borders Tim Holland Gregg Landaker Rick Kline Robert Shoup Michael Minkler Marian Wilde Gary Weimberg John Verbeck
Le Parrain, 3e partie, The Godfather Part 3, The Godfather 3, Gudfadern 3, 教父 III, El Padrino Parte III, El Padrino III, Крёстный отец 3, El padrino parte III, O Poderoso Chefão 3, Le Parrain - 3ème partie, The Godfather Coda: The Death of Michael Corleone, The Godfather, Coda: The Death of Michael Corleone, Der Pate, Epilog: Der Tod von Michael Corleone, Mario Puzo's The Godfather, Coda: The Death of Michael Corleone, El padrino de Mario Puzo, Epílogo: La muerte de Michael Corleone, Le Parrain de Mario Puzo, épilogue : La mort de Michael Corleone, El Padrino. Epilogo: La muerte de Michael Corleone, 대부 3 - 재편집판, The Godfather - Part III, Крестный отец 3, Il Padrino, epilogo: La morte di Michael Corleone, Baba 3, Il Padrino Coda - La morte di Michael Corleone, A keresztapa III., El padrí: 3a part, Der Pate III - The Godfather, O Poderoso Chefão de Mario Puzo ̶ Desfecho: A Morte de Michael Corleone, Le parrain, Coda : La mort de Michael Corleone
Faith and religion Epic history and literature gangster, crime, criminal, violence or ruthless religion, church, faith, beliefs or spiritual marriage, drama, family, emotional or emotion historical, royalty, sumptuous, lavish or drama political, president, historical, politician or democracy Show All…
THE GODFATHER CODA: THE DEATH OF MICHAEL CORLEONE
Some people have never seen “The Godfather Part III” despite their love for Sofia Coppola, whose career behind the camera emerged from the ashes of her supposedly amateurish performance as Michael Corleone’s doomed teenager daughter in her father’s trilogy-capping epic. This writer had never seen “The Godfather Part III” because of my love for Sofia Coppola.
Born in 1984 and raised to think of the “Lost in Translation” director as more of an auteur than an actress, I’ve been all the way in on the likes of “Somewhere” and “Marie Antoinette” from the moment Coppola’s movies came into my life, and it always seemed unnecessary — even rude — to dig through…
trying not to think about the fact that the director just happened to cast his own daughter in a role with an incest subplot
There should be a GODFATHER PART IV but BACK TO THE FUTURE II style with old Vincent going back in time to help young Vincent during the events of GODFATHER PART II.
look, i won't argue that there's a lot going on here the previous ones didn't already do better with regard to violent corruption of capitalism, the sins of the father punishing the rest of the family, mob life as shakespearen tragedy, etc. but idk coppola still has the goods behind the camera (backroom discussions of business, family, death and regret in willis' browns and shadows is simply what cinema is), adding international banks and the pope introduces a not uninteresting thread about money vs. god and i think michael (now a sad, aging diabetic who just wants the best for his kids) going full circle into an old, “respectable” don filled with regret completes the cycle of irreparable pain these…
Watching The Godfather: Part III is painful, all the more so because despite the fact that it's so mediocre, there are enough tantalizing glimpses of greatness in it that I can't help but be all the more disappointed with the film.
The look of the film is just right. It's not quite as dark as the previous two installments, but it's just as rich in detail and color. And the music score is still there, accompanied by several familiar faces, both of which made me feel, however momentarily, that I was indeed watching the third part of one of the greatest American epics ever made.
There are several moments of poignancy, most of which come when the new cast is…
a crisis of conscience. nothing he does or says can change the sins of his past, and nothing can mute the sounds of the screams when they catch up to him. a lifetime of capital over compassion leaves him dead with nothing to love as he fades and the bitter pain of watching even the innocents in your life die in front of him. in the end, you fuck over everyone, in the end, pain is all that’s left. the greatest tragedy of a generation ends with a bang, a scream and a death that doesn’t mean anything anymore. epic and tragic in ways only true poets could convey, and makes you feel in your heart and soul by the…
Mario Puzo's The Godfather, Coda: The Death of Michael Corleone – Ghost Protocol or: How I Learned to Stop Worrying and Love the Bomb or (The Unexpected Virtue of Ignorance): The Whole Bloody Affair (Director's Cut) & Knuckles (2020 film)
