Synopsis
A little sun can bring out your dark side.
After four college girls rob a restaurant to fund their spring break in Florida, they get entangled with a weird dude with his own criminal agenda.
2012 Directed by Harmony Korine
After four college girls rob a restaurant to fund their spring break in Florida, they get entangled with a weird dude with his own criminal agenda.
James Franco Vanessa Hudgens Ashley Benson Selena Gomez Rachel Korine Gucci Mane Heather Morris Ash Lendzion Emma Holzer Lee Irby Jeffrey Jarrett Russell Curry Sidney Sewell Thurman Sewell Josh Randall Travis Duncan John McClain Paige Anderson Rebecca Kauffman Tony Robinette Megan Russell Kathryn Trail Ken Anthony II Karleigh Chase Vivian Fleming-Alvarez Tom Franco Mattox Gardner Rod Grant Anthony J. James Show All…
Ted Field Chris Hanley Fernando Sulichin Charles-Marie Anthonioz Agnès B. Vikram Chatwal Vince Jolivette Jordan Gertner Miles Levy Megan Ellison Stella Schnabel David Zander Jane Holzer Chris Contogouris Wicks Walker Aeysha Walsh
Iconoclast Rabbit Bandini Productions Division Films Muse Productions O' Salvation MJZ Pop Films Radar Pictures
Spring Breakers: Proljetno ludilo, Spring Breakers: viviendo al límite, Metsik koolivaheaeg, Spring Breakers: Viviendo al límite
Crime, drugs and gangsters Underdogs and coming of age Intense violence and sexual transgression teenager, school, friendship, funny or nerds drugs, violence, crime, gritty or cops surfing, teenager, friendship, kids or adolescents teenager, friendship, sad, adolescents or coming of age sexuality, sex, disturbed, unconventional or challenging Show All…
I don’t think this is as smart of a film as a lot of people think, nor do I think Korine was aiming for that. It’s just aged like fine wine and encapsulates a nightmarish ambience that I didn’t know I was afraid of until watching it.
"This is the fuckin' American dream. This is my fuckin' dream, y'all! All this sheeyit! Look at my sheeyit! I got... I got SHORTS! Every fuckin' color. I got designer T-shirts! I got gold bullets. Motherfuckin' VAM-pires. I got Scarface. On repeat. SCARFACE ON REPEAT. Constant, y'all! I got Escape! Calvin Klein Escape! Mix it up with Calvin Klein Be. Smell nice? I SMELL NICE! That ain't a fuckin' bed; that's a fuckin' art piece. My fuckin' spaceship! U.S.S. Enterprise on this shit. I go to different planets on this motherfucker! Me and my fuckin' Franklins here, we take off. TAKE OFF! Look at my shit. Look at my shit! I got my blue Kool-Aid. I got my fuckin' NUN-CHUCKS.…
"y'all are my motherfucking soulmates."
like a Ke$ha video directed by Terrence Malick (*Do* The Wonder?), a dubstep belly shot of the american nightmare. Forever.
although, re the too-obvious Ke$ha reference above, Pussy Riot would also fit the bill (the Brony-baiting masks certainly raise that flag). first viewing was dominated by concerns with capitalism and carnal myopia, but i suspect that future visits will focus more on power dynamics and holy shit ashley benson.
also, there's a show-stopping sequence at the film's mid-point that involves a piano and an unexpected pop song and... cinema forreeverrrrr
if I have to hear james franco say spring break one more time I swear to fucking god
james franco’s character waving his gun around saying "spring break forever y'all!!!!!" is what i see in the corner of my room during sleep paralysis
Possibly the best filmic social commentary I've ever seen.
And for those of you who hate it, so be it. That's film.
Some people connect with certain movies,
And some people don't.
I love satire, almost all satire,
But I must admit...
I think that I adore this film even more than Dr. Strangelove.
I think that it's even MORE brilliant. And that's saying a lot.
Then again,
I like putting Korine's name up there next to Kubrick's... ;)
cuz iM c0ntr0v33r$i@L azz fuuckk h0Mi33... #SB43V3R
A beach party in the vein of Enter the Void. A mansion that glows pink like the neon letters in Drive. An hour and thirty minute party montage that oozes neon liquid and blares broken sound. A transcendent audiovisual trip into the depths of the American youth.
Its Spring Break.
Bitch.
Compulsive trash humper and arthouse demigod Harmony Korine has somehow created one of the most visually and viscerally intense films of this generation. Uh huh. The film about Disney stars in bikinis is one of the most abrasive and colorful trips in recent cinematic history. Yes, youre reading that right. Spring Breakers is in your face and gets deep under your sunburt crispy skin; an abusive and addicting picture…
I'll be honest. The first time I saw this I hated it immensely. But I was also oddly intrigued. When I watched this it was in a theatre during a sneak preview and after about fifteen minutes the first people started to walk out. After about half an hour, about half the audience had left. Those that remained were noisy, disinterested and annoyed, venting their frustration on the film.
In retrospect, this rubbed off on me and I guess I associated the experience with the film. But still those luring neon lights kept begging me to give it another watch. And when a mate of mine invited me to come over and watch what he called 'this generation's defining film',…