Synopsis
The first female serial killer of America
An emotionally scarred highway drifter shoots a sadistic trick who rapes her, and ultimately becomes America's first female serial killer.
2003 Directed by Patty Jenkins
An emotionally scarred highway drifter shoots a sadistic trick who rapes her, and ultimately becomes America's first female serial killer.
Charlize Theron Christina Ricci Bruce Dern Lee Tergesen Annie Corley Pruitt Taylor Vince Marco St. John Marc Macaulay Scott Wilson Rus Blackwell Tim Ware Stephan Jones Brett Rice Kaitlin Riley Cree Ivey Catherine Mangan Magdalena Manville T. Robert Pigott Romonda Shaver Glenn R. Wilder Elaine Stebbins Kane Hodder Christian Stokes Lyllian Barcaski Nonalee Davis Bubba Baker Al Cannonball Chad Vaccarino Show All…
Donald Kushner Charlize Theron Brad Wyman Clark Peterson Mark Damon Andreas Grosch Stewart Hall Sammy Lee Meagan Riley-Grant Andreas Schmid Brent Morris David Alvarado
Newmarket Films Media 8 Entertainment DEJ Productions K/W Productions Denver and Delilah Productions VIP 2 Medienfonds MDP Worldwide
A rém, Monster - Desejo Assassino
Intense violence and sexual transgression Thrillers and murder mysteries murder, crime, drama, compelling or gripping violence, shock, disturbing, brutal or graphic sexuality, sex, disturbed, unconventional or challenging cops, murder, thriller, detective or crime horror, creepy, eerie, blood or gothic Show All…
the rape scene in this is a good example of the way rape scenes should be handled. its not titillating or sexy for men. it's scary and awful and painful to watch, not b/c it's grotesquely fetishistic & there to remind you that the filmmaker doesn't see you, a woman, as a person worth making movies for but b/c it's a horrific violent assault being enacted on a woman. i don't know if that's necessary still but if rape has to be in a movie i'd rather watch a version that doesn't shit on my personhood & doesn't frame a brutal life-changing assault as something sexy hot for male viewers.
no cuz movies about women going to prison always make me so irrationally sad like free all my bitches fr
She killed in self-defense. To call her a serial killer is to put her among misogynists, pedophiles, and torturers who preyed on women like her. The sensationalization of Wuornos's story is centered so much on a misogynist, anti-sex worker view that it's almost impossible to find anything about her that isn't biased and twisted and framed to make her out as especially heinous. A woman "serial killer" helps them bury the fact that the vast majority of serial killers get away with their killing for so long because they target women, sex workers, and others the capitalist state doesn't care about. (Yes, there are women who are serial killers, but the way the capitalist media used Wuornos's story was intentional…
You sabotaged my ass, society!
Monster rests comfortably on an achingly truthful performance.
The film itself has stock-standard TV sensibilities. The physical horrors of murder are modestly implied; the camera angles are arranged so that we don't ever see what is actually happening. That being said, the performances are so good that you might be misled into believing you've seen more than you actually have. Theron's guttural screams are so precise, the levels of her rage so permeable, that we feel the agony of a beating without being graphically assaulted by it. It's the kind of performance that defines a career and becomes the benchmark upon which we judge every other performance from that artist. It's so good - so…
Charlize Theron should have got two Oscars for this. An utterly blood chilling performance. I sometimes forgot that it was Theron on screen. Such was her transformation into character of Aileen Wuornos. Honestly according to me this must be one of the best female lead performance ever on cinema. Truly unbelievable.
Wow, it really pisses me off that I have perceived Charlize Theron's oscar win as how the mainstream media represented it; ugly woman make-up. It pisses me off because I literally wrote off this movie for over a decade because of it...
She deserved every single piece of that gold man statue as this is a masterclass in acting. She becomes Aileen in every sense of the word, not just in make-up. Ricci is a fantastic supporter here with their wide eyed naive simpleton-ness as she follows along with this woman. Love can do strange things and that includes believing a skewed perspective on murder.
Jenkins approach to this true story is commendable. She never paints her protagonist as evil…