Synopsis
When oil is discovered in 1920s Oklahoma under Osage Nation land, the Osage people are murdered one by one—until the FBI steps in to unravel the mystery.
2023 Directed by Martin Scorsese
When oil is discovered in 1920s Oklahoma under Osage Nation land, the Osage people are murdered one by one—until the FBI steps in to unravel the mystery.
Leonardo DiCaprio Robert De Niro Lily Gladstone Jesse Plemons Tantoo Cardinal Cara Jade Myers JaNae Collins Jillian Dion William Belleau Louis Cancelmi Tatanka Means Michael Abbott Jr. Pat Healy Scott Shepherd Jason Isbell Sturgill Simpson John Lithgow Brendan Fraser Jack White Gary Basaraba Joshua Close Barry Corbin Steve Eastin Katherine Willis Martin Scorsese Randy Houser Eric Parkinson Samuel French Nick W. Nicholson Show All…
Leonardo DiCaprio Rick Yorn Adam Somner Marianne Bower Niels Juul Shea Kammer Lisa Frechette John Atwood
Krystina Figg Jacob Alvarez Chad Bennett Stephen Oh Nathan M. Schindler Josh Elam David Connan Blake Bennett Matt Prueitt Beau Brand
Adam Willis Andrew W. Bofinger Sarah Forrest Brian A. Waits Ron Mason Dani Broom-Peltz Javed Noorullah Victor Pongonis Bryan Lane Shane Ballou
Stephen A. Pope Jim Henry Richard Bucher Darrell Davis Regis Harrington Ashley Nicole Hudson Josh Lakatos Kc Coy Chad Knorr Aaron Matthews Richard Burden Josh Vinyard Dawson Towery Kent Shelton Jon Bielich Ryker Sixkiller Pamela Banks
Nacoma Whobrey Gloria Belz Thomas Nellen Martina Kohl Carla White Anita Brabec Roxy D'Alonzo Linda Boykin-Williams Lindsay Garrison Sandy Jo Johnston Toni Marlo Hiro Yada Elizabeth Bey Lia Robin Heather Benson Teresa Luz
Вбивці місячної квітки, Gray Horse, 킬러스 오브 더 플라워 문, Flower Killing Moon, Ziedu mēness slepkavas, 花月殺手, قاتلان ماه گل, Лунно цвете, Zabijáci rozkvetlého měsíce, Los asesinos de la luna, רוצחי פרח הירח, Megfojtott virágok, キラーズ・オブ・ザ・フラワームーン, 플라워 킬링 문, Gėlių mėnulio žudikai, Czas krwawego księżyca, Assassinos da Lua das Flores, Убийцы Цветочной Луны, คิลเลอร์ส ออฟ เดอะ ฟลาวเวอร์ มูน, Dolunay Katilleri, Вбивці квіткової повні, Vầng Trăng Máu, 花月杀手
Martin Scorsese may like to think of “Killers of the Flower Moon” as the Western that he always wanted to make, but this frequently spectacular American epic about the genocidal conspiracy that was visited upon the Osage Nation during the 1920s is more potent and self-possessed when it sticks a finger in one of the other genres that bubble up to the surface over the course of its three-and-a-half-hour runtime.
The first and most obvious of those is a gangster drama in the grand tradition of the director’s previous work. Just when it seemed like “The Irishman” might’ve been Scorsese’s final word on his signature genre, they’ve pulled him back in for another movie full of brutal killings, bitter voiceovers,…
KILLERS OF THE FLOWER MOON is an epic crime western that in the old days would’ve been a radio show but today we typically see as a podcast or television miniseries but not when you give Martin Scorsese over $200 million and full creative freedom. The result is some of Scorsese’s darkest thematic content to date. Leonardo DiCaprio, Robert De Niro & Lily Gladstone are all phenomenal delivering performances worthy of awards recognition. The powerful ending (which will be widely discussed) took this from being great to another masterpiece from the world’s greatest living director. A tragic rumination on greed & power.
blistering stuff, a love story/procedural with something immensely sad and vital simmering underneath. i wept!
to each one of you that just watched this in canes know that i would sell my soul to be in your place right now
“You got a better chance of convicting a guy for kicking a dog than killing an Indian.”
Amongst the many things that make Martin Scorsese’s films so special, one that has always stood out to me is the sheer empathy with which he manages to portray his characters.
In Killers of the Flower Moon this is not only notorious, but essential.
This film perfectly and heartbreakingly portrays the treatment of indigenous people at the hands of white people, who have only ever seen them as a means to an end rather than human beings made of the same flesh and blood as them.
As many have already said, Leonardo DiCaprio gives what could be a career-best performance as a war…
right now, i'm like jesse pinkman in S05E12 of Breaking Bad because marty can't keep getting away with it. he can't keep making masterpiece after masterpiece after masterpiece. bro didn't miss a beat at 80. Leo & my main man brendan carried and made the runtime feel much faster, they got me fucking hooked.