1992 Directed by Francis Ford Coppola
When Dracula leaves the captive Jonathan Harker and Transylvania for London in search of Mina Harker—the reincarnation of Dracula's long-dead wife, Elisabeta—obsessed vampire hunter Dr. Van Helsing sets out to end the madness.
Gary Oldman Winona Ryder Anthony Hopkins Keanu Reeves Richard E. Grant Cary Elwes Billy Campbell Sadie Frost Tom Waits Monica Bellucci Michaela Bercu Florina Kendrick Jay Robinson I.M. Hobson Laurie Franks Maud Winchester Octavian Cadia Robert Getz Dagmar Stansova Eniko Öss Nancy Linehan Charles Tatiana von Fürstenberg Jules Sylvester Hubert Wells Daniel Newman Honey Lauren Judi Diamond Robert Buckingham Cully Fredricksen Show All…
David B. Cohn Leslie Shatz Mark L. Mangino Christopher S. Aud Aaron Rochin Greg Stewart Dennis S. Sands David F. Van Slyke David E. Stone Marian Wallace David Williams Tom C. McCarthy Sanford Ponder
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robert pattinson could make dracula work but gary oldman couldn’t make edward cullen work
legend has it that keanu reeves and winona ryder actually turned into vampires and haven't aged since
97/100
Not just "my kind of movie", but also a film that resonates with every fiber of my cinematic being.
Simultaneously an achingly tender fable of love and a pent-up phantasmagoria of delicious sensuality, Bram Stoker's Dracula, directed by Francis Ford Coppola, weaves the Gothic and the Romantic until intertwined cobwebs begin to appear out of its embrace.
Unlike the more revered Coppola joints, it isn't based solely on character and screenplay but on the sublime audacity of its various technical elements. While most criticisms of Dracula stem from Keanu Reeves' ingeniously out of tune performance and its messy switches of tone, neither really add up to anything of truly negative worth as Coppola's intent was one of visual splendor.…
"Civilization and 'syphilization' have advanced together." or "Perhaps, though I try to be good, I am bad."
A truly beautiful sex panic phantasmagoria and an unheralded analog technical spectacle. Paralyzed by fear and awe of desire. The traditional, the rational, the modern: all crumble powerlessly, and time collapses in the face of lust. Fuck or die.
coppola does hammer horror as an extremely erotic, bloody, gothic opera filled with bleeding castles, hellfire skies and horny monsters who can only express their affection by tearing each other apart. some questionable performances maybe but who cares when you have shadows, colors, textures, crossfades, costumes, in-camera vfx, miniatures, etc as gorgeous as these.
francis ford coppola decided that when female vampires experience bloodlust they must whip their boobs out so that the men are too distracted by tiddies to care that the woman is about to chomp their neck. incredible.
keanu reeves struggling to do a british accent is very important to me 🥺
