Synopsis
All roads lead here
Lake Tahoe, 1969. Seven strangers, each one with a secret to bury, meet at El Royale, a decadent motel with a dark past. In the course of a fateful night, everyone will have one last shot at redemption.
2018 Directed by Drew Goddard
Lake Tahoe, 1969. Seven strangers, each one with a secret to bury, meet at El Royale, a decadent motel with a dark past. In the course of a fateful night, everyone will have one last shot at redemption.
Jeff Bridges Cynthia Erivo Dakota Johnson Jon Hamm Lewis Pullman Cailee Spaeny Chris Hemsworth Nick Offerman Xavier Dolan Shea Whigham Mark O'Brien Charles Halford Jim O'Heir Gerry Nairn Alvina August London Morrison Bethany Brown Rebecca Toolan Hannah Zirke Billy Wickman Charlotte Mosby William B. Davis Manny Jacinto Tally Rodin Sophia Lauchlin Hirt Jonathan Whitesell Synto D. Misati Austin Abell Katharine Isabelle Show All…
배드 타임 앳 더 엘 로얄, 7 Sconosciuti a El Royale, ห้วงวิกฤตที่ เอล โรแยล, Sale temps à l'hôtel El Royale, Malos tiempos en El Royale, El Royale'de Zor Zamanlar, Ничего хорошего в отеле «Эль рояль», Поганi часи у Ель Роялi, Δύσκολες Ώρες Στο Ελ Ροαγιάλ, Тежки времена в "Ел Роял", 賊眉賊眼大酒店, 皇家酒店谋杀案, זמנים קשוחים באל רויאל, Maus Momentos no Hotel Royale, 7 sconosciuti a El Royale, Sete Estranhos no El Royale, Zlé časy v El Royale, Zlý časy v El Royale, Húzós éjszaka az El Royale-ban, Źle się Dzieje w El Royale, Тешка времена у Ел Ројалу, 壞事大飯店, Vremuri grele la El Royale, 배드 타임즈: 엘 로얄에서 생긴 일, Malos Momentos en el Hotel Royale, Sunkūs laikai viešbutyje „El Royale“, Grūtie laiki viesnīcā "El Royale", Težave v motelu El Royale, ホテル・エルロワイヤル, Phút Kinh Hoàng Tại El Royale, ცუდი მოგონებები სასტუმრო ელ როიალთან, خان جەمەت مېھمانخانسىدىكى قاتىللىق
[drew goddard watching The Hateful Eight] hahahaha what? no. noooo. no no no no, this is all wrong. it’s fine, i’ll do it myself
Thoroughly entertained for most of the film. Solid performances and cool set pieces. But the big takeaway for me is Seamus McGarvey's amazing cinematography. This is what 35mm and Panavision lenses give you.
See it on the big screen.
Alternate title: "Pretty Okay Times at the El Royale That Could Be Great With Some Tighter Pacing and One More Draft of the Script to Flesh Out the Characters A Bit More"
Omg what a load of fun this was. It’s a miracle this wasn’t a mess.
I think what I loved and appreciated more than anything was how Hollywood this felt. Everything from the cinematography to the writing felt so classic, if that makes sense. This thing is also long and that scared me at first but I didn’t feel the runtime at all. Before I knew it the credits started rolling.
A few points dragged pretty hard and it was incredibly well casted but the peformances could’ve given me more.
Also I’m such a dumbass for thinking that Miles was Tom Holland the entire film only to realize it totally wasn’t.
Drew Goddard likes to watch. As he made clear in his sly and self-reflexive 2012 debut “The Cabin in the Woods,” he likes to place his characters in a hall of mirrors that only he can see clearly, and he likes to make his audiences to shudder at their own reflections in the glass.
Of the many things his rollicking second feature has in common with his previous one, the most fundamental is that both films take a genre that’s grown painfully stale, step back until we’re looking at it from a god’s-eye view, and then — however damning it might be — force us reckon with what we love about them. With “The Cabin in the Woods,” Goddard deconstructed…
drew goddard: 3 tablespoons of non-linear story telling
a splash of one way mirrors
and just a dash of chris hemsworth shirtless [proceeds to pour the entire glass in on purpose, overpowering the rest of the ingredients] nice
2 old women sat in front of me & would not shut up throughout the whole film. After the show, I asked them what they thought, & of course, they hated it. I then told them, “Well if you wouldn’t talk so damn loud during the film, maybe you would’ve liked it!” I now feel God in this Chili’s tonight because of that.
The film was solid, by the way. Could’ve used more humor & more characterization, but it’s a solid thriller.
“which side are you on?”
lots of people have already compared the style of this to tarantino, so i won’t, but this is my subtle way of doing it anyway. this was way too enjoyable, but mostly because of how slick it’s pieced together. extremely well crafted, especially for how it comes off when you catch the trailer before another movie or just a promotional image of shirtless chris hemsworth. someone remind me later to rewatch the cabin in the woods before october is over