Synopsis
Dirty Paradise
On After Blue, a virgin planet where only women can survive in the midst of harmless flora and fauna, a hairdresser and her teenage daughter hunt a notorious killer.
2021 ‘After Blue (Paradis sale)’ Directed by Bertrand Mandico
On After Blue, a virgin planet where only women can survive in the midst of harmless flora and fauna, a hairdresser and her teenage daughter hunt a notorious killer.
Βρώμικος Παράδεισος, After Blue: Przekroczyć błękit, After Blue (Dirty Paradise)
Locarno Film Festival 2021 #13
Producer, touring the set: "I must say, Monsieur Mandico, I'm impressed. You seem to have gathered the best team of set and costume designers, makeup artists, lighting technicians, and composers money can buy. This movie will look and sound like a masterpiece. Do you have a script to match this artistry?"
Bertrand Mandico, scribbling stick figures onto a commemorative Kate Bush napkin: "A what?"
If the Neverending Story was horny as hell and every second word was "Kate Bush"
TIFF 2021
#30
A few years ago, directors Bertrand Mandico and Katrin Olafsdottir decided to develop their own alt-movie style manifesto akin to the Vinterberg/Von Trier ‘Dogma 95’ articles. The Mandico-Olafsdottir proclamation is known as the ‘Incoherence Manifesto’. Its rules mandate avoiding digital effects, doing all sound in post, using expired film stock, creating vague and dreamy sets, and having actors either overact or underact. ‘Incoherent’ films are meant to be liberating, disturbed, and dreamlike with a freeing aesthetic.
AFTER BLUE (DIRTY PARADISE) is a good taste-test for the ‘Incoherence Manifesto’, but it doesn’t make one wish for a buffet. It certainly checks off the boxes on the ‘Incoherence’ rubric. The thing is though, AFTER BLUE is completely inaccessible. It’s…
And if I only could!
I'd make a deal with God!
And I'd get him to swap our places!
Be running up that road!
Be running up that hill!
Be running up that building!
If I only could, oh...
Vintage Mandico film; great settings, colorful, a-typical, creative and weird. Although I like weird stuff, thuis weird stuff is just cheesy and cringe. A shame because that’s the reason I never can a Mandico film to the fullest. All his movies are solid and an experience for sure, but I’m still waiting om that movie by his that fully clicks with me, because they do have all the right ingredients for that.
easily the best-looking film this year or last discounting mad god, it's staggering how textured and evidently laboured-over each visual choice is. i like this so much better than i did the wild boys but i have noticed mandico has a thing where he'll show you cool stuff throughout with intermittent transmissions of really cool stuff, so the whole time you're wondering when you're gonna see the really cool stuff again and a lot of the time it only recurs in bursts. i was NOT lied to about the amount of times "kate bush" is said!
"To be incoherent means to have faith in cinema, it means to have a romantic approach, unformatted, free, disturbed and dreamlike, cinegenic, an epic narration. Incoherence that's an absence of cynicism but not irony. It's embracing the genre without penetrating it."
--Bertrand Mandico
Director Bertrand Mandico's first feature film Wild Boys (2017) was a luminous and exuberant celebration of sex and gender fluidity, casting women in male roles then tossing that masculinity aside in the actual film itself, changing them back into women, seamlessly shifting them back-and-forth until they existed in a space in-between. His work feels phantasmagorical, an alternate reality where the air is infused with glitter, and the lighting is always bisexual. He continues his path embracing the…
I was sooo on board for the first hour and sooo ready for it to be over the last 70 minutes. It's hard to dislike a film that's so original and visually breathtaking and points should be awarded for the insane world building and absurd horniness of literally every scene. But there's barely a plot to all of this, just a mother-daughter mission and an acid trip. I can forgive that if a film is 90 minutes but for 130 I would need an acid tab of my own.
On a planet inhabited only by women, a girl named Roxy (aka Toxic) comes across a woman buried in sand up to her neck. Though this woman appears to be dangerous, Roxy pulls her out of the beach and lets her free, erupting her desires for murder and seduction.
After this mysterious outcast kills 3 daughters of the tribe, Roxy and her mother Zora (a hairstylist, who uses a laser razor to remove body hair) are ordered to hunt down this predatory woman deep in the slimy and mysterious jungle of their planet. And you know what this villainous woman's name is? Kate Bush
Welcome to Bertrand Mandico. You will not be the same after this slow-motion highlighter pink lightning…
Unreal visuals, great score, amazing in-camera effects, but if I'm being real this would need to be a tight 90 for me to sit down and watch it again. I'd definitely like to study some parts of this and it would be a great 'throw it on in the background of a party' kind of movie.
stupid movie! does more disrespect to the legacy of Kate Bush than whatever the fuck is going on in Stranger Things. my review for The Wrap