Filipe Furtado’s review published on Letterboxd:
One of Ruiz last movies before his exile (I know he finished a movie in France shot previously, but I suspect this one is likely the last one he shot prior to the coup). The political undertones are all over it, but above all is the capture of a place that stands out. Like most early Ruiz it is playful, but not quite as free as he would get by the end of the decade.
