Truffaut’s terrific last film is as Hitchcockian as it gets, with a top performance by Fanny Ardant who plays a sleuthing secretary after her boss becomes the prime suspect in a series of murders.
Review - wp.me/pat7iE-655
Truffaut’s terrific last film is as Hitchcockian as it gets, with a top performance by Fanny Ardant who plays a sleuthing secretary after her boss becomes the prime suspect in a series of murders.
Review - wp.me/pat7iE-655
One of the most underrated gems of the year as a Romanian construction worker encounters a Belgian-Chinese doctoral student of moss, with Devos’ exceptional sensitivity towards the audiovisual experience affording us a sense of quietude and calm quite rarely felt in today’s European cinema.
Review - wp.me/pat7iE-64z
Although Bong Joon-ho has made more formidable pictures, this razor-sharp treatise on social class differences in South Korea shocks and entertains in equal measure.
Full review: wp.me/pat7iE-KH
Park’s latest Cannes winner charts an alluringly new direction for him—a layered if at times convoluted crime procedural that hides an elusive romantic drama about the perverse relationship between a conflicted investigator and a seductive murder suspect.
Review - wp.me/pat7iE-4Tx