jennifer jason leigh crying a single tear over a nasty cronenberg umbilical cord gamecube is more convincing than some actor’s best performances
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Portrait of a Lady on Fire 2019
“when do we know it’s finished?”
the kind of love story so well crafted that it transcends all usual boundaries and clichés to create something entirely new. in an interview céline stressed the importance of equality when she cast noémie to play opposite adèle and how vital it was the characters be on equal footing with each other even down to the height. the effect not only eliminates the male gaze entirely but invents a whole new kind of balance…
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The Slumber Party Massacre 1982
hearing the director talk about how she passed up editing E.T. to make this project instead and how she still fucking loves it… maybe the most badass q&a i’ve ever SEEN
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