Brendan Michaels’s review published on Letterboxd:
“who is you, chiron?”
identity overtaken by violence, where you don’t even know who you are or what you were ever going to be. i honestly want to ask barry if he’s a fan of mann’s miami vice because the aesthetic of mann is so strong in this film that he even has the same themes mann has in his films. i don’t think i’ve seen three actors play one character this well..ever.