Letterboxd — Your life in film

this is the first time I’m penning down an entire page instead of usual one liners cause man I actually feel so damn disappointed. 

I’d be lying through my teeth if I said I didn’t laugh at the jokes. some even had me off the seat but therein lies the problem. adipoli aayittaan humour avathiripichenkilum subjectinod injustice kaatunna pole, fucking trivialising a situation. 

I know I might come off as this “woke sjw, finding everything problematic person” rating this too…

Jaya Jaya Hey suffers so much from the male gaze and misunderstanding domestic abuse and benevolent sexism as just important enough to be used as a joke fodder. I personally can't fathom the fact that this is presented as some sort of mass entertainer, there exists a clear lack of nuance and surface level understanding of the issue that they are dealing with it. Maybe it's just me. I don't know. I can give them props for accurately presenting reactive…

It's alright, like fun stuff, kurea pravisham chirichu but elavarum parayana pole chirichu vayaru vedana onnum edutilla.
Goofy tone for such a serious issue chila sthalatu work ayi, chila sthalatu miss. Sambavam kurea sanam on your nose anegilum atoke sherikum nadakana karanam on your nose ayalum saramilla ig. Also props to the director for his detailing, the characters actually behave and talk like people from kollam, even their surroundings feel like you are in kollam. Also stop repeating that basil…

Shaji Kailas improved from Kaduva to give another mid movie with a "fresh" climax with the thought of woman representation in his movie? Lol.
Fun guaranteed climax,which would have been meant to give goosebumps!
Had hopes in first few minutes of the movie that this wil be a pretty above average movie but it didn't turn out good in any way.
Prithviraj cant stop being fan of Mohanlal- Shaji Kailas combo
Simhasanam wasn't enough,Kaduva wasn't enough,now here is Kaapa which…

Watched FDFS (9 a.m. show).

Still regret missing out on Operation Java in theatre. So, was hell-bent to catch the very first screening of Tharun Moorthy’s second directorial. And boy, was it a delight! Just as in the debut film, Tharun Moorthy’s writing is pitch-perfect. Each and every beat, be it comedic or emotional or dramatic, couldn’t land any more graciously. There’s nothing to complain at all in the casting department, and the performances are great all around. Loved the screenwriting here;…