• Unbreakable

    Unbreakable

    ★★★★★

    [Intro: Kanye West]
    I'm living in that 21st century, doing something mean to it
    Do it better than anybody you ever seen do it
    Screams from the haters got a nice ring to it
    I guess every superhero need his theme music

  • Spring Breakers

    Spring Breakers

    ★★★★★

    [Intro: Kanye West]
    I need to call it off
    I need to, I need to make it known
    'Nother one, something gone
    Capricorn
    Dancing out on the lawn
    Fancy like the things she likes
    She lives her life
    I'm living mine


    [Chorus: Popcaan]
    All dem a gwaan dem a dem a dem a gwaan
    Dem a gwaan gwaan gwaan, sof-sof-softer sof-softer
    All dem a gwaan dem a dem a dem a gwaan
    Dem a gwaan gwaan gwaan, softer than clay

  • Basic Instinct

    Basic Instinct

    ★★★★★

    pussy had me floating
    feel like deepak chopra
    pussy had me dead
    might call tupac over

  • The Trial of the Chicago 7

    The Trial of the Chicago 7

    ½

    i could easily engage in combat with and critically injure aaron sorkin. what's he gonna do, spit out one of the 4-5 "america is the greatest country on earth" catchphrases he's been recycling his entire career?

  • Batman v Superman: Dawn of Justice

    Batman v Superman: Dawn of Justice

    ★★★★★

    pop myth as greek legend as biblical allegory as media artifice as broken little boys

  • Election

    Election

    the joe biden story

  • Resident Evil: Retribution

    Resident Evil: Retribution

    ★★★★★

    This review may contain spoilers. I can handle the truth.

    Respectability and what constitutes it in the realm of film has, for much of the American mainstream, been dominated by notions of “subtlety” and rather limited conceptions of what “deep” films are. Films nominated for Academy Awards are typically biopics, self-serious “character pieces” that supposedly explore themes of identity, or some mixture of the two. Films that occupy the genres of science fiction, horror or a combination of the two are scarcely, if ever, nominated for Academy Awards. Of course,…

  • Miami Vice

    Miami Vice

    ★★★★★

    This review may contain spoilers. I can handle the truth.

    In a career punctuated by undeniable commercial and critical successes such as Heat, but also more divisive features that would be regarded by most as commercial failures and critical bombs, Michael Mann has always revolved around the periphery of mainstream acclaim rather than in it centre-which is puzzling, considering the fact that his films typically star pairs of guaranteed box-office draws (from Al Pacino and Robert De Niro in Heat to Johnny Depp and Christian Bale in Public Enemies). Sandwiched…