Spencer

Spencer ★★★★

Larraín kept the central focus on Diana and Kristen Stewart gave an incredible performance. The intimate camerawork framed her in ways that made her look like Diana from afar. The haunting score by Jonny Greenwood accompanied her descent into realizing that she was stuck. The screenplay was also well-written by Steven Knight, as it kept circling back to the notion that she wanted to go home, back to being a ‘Spencer’, equating that to the freedom of her childhood. In a way, it does act as a ghost story, seeing that she was fighting with the shell of who she became and the girl she once was.

The cinematography by Claire Mathon worked with Diana’s mind. In certain scenes it almost felt like a dreamlike sequence, like Diana was in a daze. The broken pieces of her mind were projected into the frame through every single aspect. It is heartbreaking to watch a woman who is so loving and wants to give her children the same life she had, not be able to live the way she wants. The important takeaway from Spencer is that there were very emotional, playful, and sweet moments between Diana, William and Harry. Larraín wanted to show her as a woman first, a mother second, a wife third, and a member of the Royal family last.


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