Welcome to Barbenheimer House - A Triple Feature
A surprise retrospective, a lakeside screening of my favorite live-action film (behind only Masaaki Yuasa’s 2004 debut Mind Game), turned my Barbenheimer double feature into a triple. I do not know if the programmers intentionally sought out synthesis between Oppenheimer and Barbie when programming Obayashi’s 1977 cult horror classic House, but it remained an unmissable meeting point between the impossible girlhood of Barbie and the bloody indifference of Oppenheimer.
At this point,…