๐ ๐ซ๐ถ๐ด๐ต ๐ง๐ฆ๐ฆ๐ญ ๐ด๐ฐ ๐ข๐ญ๐ฐ๐ฏ๐ฆ, ๐ฆ๐ท๐ฆ๐ฏ ๐ธ๐ฉ๐ฆ๐ฏ ๐'๐ฎ ๐ด๐ถ๐ณ๐ณ๐ฐ๐ถ๐ฏ๐ฅ๐ฆ๐ฅ ๐ฃ๐บ ๐ฐ๐ต๐ฉ๐ฆ๐ณ ๐ฑ๐ฆ๐ฐ๐ฑ๐ญ๐ฆ.
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Fruitvale Station 2013
This was absolutely devastating. I obviously knew how it was going to end but I really loved the energy of the first half, felt very intimate and homey. The way Ryan Coogler captured the Bay Area, from the familiar hum of the Bart train to the hustle and bustle of the streets, just drove it all home how real and sobering this tragedy was.
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It's Kind of a Funny Story 2010
I had really high hopes for this, so being disappointed by the amount of potential this had to be great, just adds insult to injury. I donโt know where to start, but I guess my main complaint was that this felt like it had no target audience or sense of purpose, just toying with a thematically dark subject matter by using 15+ freeze frames (I counted), โalt-rockโ music references, and bubbly animated sequences that felt dated by a couple years.โฆ
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The Secret World of Arrietty 2010
Pretty cool take on The Borrowers, although the ending was one of the most bittersweet and lowkey frustrating Iโve seen. Iโm still not sure how to feel, but overall I really liked the animation and the world building, Iโve always had a fascination with miniature worlds!
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In the Mood for Love 2000
#1000 done and logged! I went with In the Mood for Love as my pick since it was the most recommended and it truly was such a mood ๐
What to say except that WKW is a master of making people feel sad and lonely. The sets were fucking gorgeous and I think Maggie Cheung wore more dresses than De Niro wore suits in Casino. The framerate drops were subtle in this to the point that I felt like Neoโฆ
